Monster Calls, A (2016) Posted on January 11. Yup, the giant talking tree is certainly a spectacular sight to behold, even. A MONSTER CALLS Year 2016 Formats Cinema Distributor(s) Entertainment One UK Ltd Classified date(s) 23/09/2016 Main language English BBFC reference AZF339042. Title Type Runtime Cut Distributor Date. A Monster Calls - Trailer. Added July 2. 1, 2. A Monster Calls is one of those movies that’s so emotionally draining and dour. One response to “A Monster Calls (2016)” ghostof82 January 7. Andrew at the Cinema; Awesome Barnhart's Reviews. A Monster Calls is a visually spectacular drama about a young boy who attempts to deal with his mother's illness and the bullying of his classmates by escaping into a fantastical world of monsters and fairy tales that deal. Cinema showtimes for A Monster Calls near Bromborough from Ents24.com, the UK's biggest entertainment website. A Monster Calls Synopsis Conor attempts to deal with his mother’s illness and the bullying of his classmates by escaping into a fantastical world of monsters and fairy tales that explore courage, loss, and faith. Cinema A Monster Calls 2016 TrailerA Monster Calls (2. That Film Blog. Happy New Year everybody! The extravagance and overall comfort of the holiday season ? To help ease me back in, I decided to choose something a little unusual, something that I wasn’t sure would work but nonetheless something that I was eager to experience, J. Bayona’s A Monster Calls. A big screen adaptation of the 2. Patrick Ness novel, A Monster Calls. Protagonist Conor O’Malley (Lewis Mac. Dougall) is young, bullied school boy whose mother (played by Felicity Jones) is beginning to lose her battle with cancer. Though the narrative may sound more than a tad BFG- ish, the truth is that A Monster Calls is a heart wrenchingly emotional journey that just happens to have a child as its focus, it doesn’t particularly feel like a children’s film at all, and that is to its advantage. As the monster’s visits become more regular, the lines between fantasy and reality become more blurred, and this makes for a rather hypnotic viewing experience that explores the themes of death, guilt, hope and grieving in a way that I have rarely seen on screen before. The stories told to Conor are presented in an exquisite animated form that, whilst being entirely different from the cinematography of the rest of the picture, feel completely appropriate to the tone and atmosphere of the overall piece. If the film can be criticised in any way, it is for the heavy handedness of its button pushing in the face of a child losing their mother. Tears were never not going to flow at a story like this, and the film could be accused of being slightly too manipulative at certain points, but overall the filmmakers walk the line pretty well, and as I mentioned before, a few interesting points of view are brought up concerning the subject matter that don’t often get highlighted in these types of dramatic stories, especially Conor’s final, heartbreakingly poignant confession to the monster. Appearing in pretty much ever single scene in the film, young. It was vital for the heart of the film that Mac. Dougall be the endearing, complicated, sympathetic mixture of angry and desperately sad that sums up Conor’s current state, and he really does knock it out of the park, more than holding his own both alongside a green screen monster and his more experienced, seasoned adult colleagues. Playing an entirely different role as Rogue One’s Jyn Erso just a screen away whilst I was at the cinema, Felicity Jones really shows her versatility with. Jones and Mac. Dougall spark a great on screen chemistry, which makes the final third of the film all together more gut wrenching when the distressing inevitable occurs. Sigourney Weaver as the testing but ultimately caring grandmother is a slightly more questionable casting choice, with a suspect British accent and a screen presence that is almost too big for the part she is playing. Not to say that she is bad, as a staunch Alien fan I could never say such a thing, but what I will say is that rather than getting lost in the character as you do with Jones and Mac. Dougall, there very much remains an essence of . The fantastical imagery and narrative execution combined with the devastating truth and repercussions of the real life situation at hand makes for a gripping and completely unique cinematic experience. It might not be one for the very coldest hearts that are affronted by the slightest attempt at heart string tugging, but for those of us who don’t mind weeping alone in a darkened theatre, it proves to be one hell of a magical, cathartic experience. And trust me, you’ll need tissues, preferably an entire box.
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